Repetition (2018)

The images of this series can be seen as the outcome of the two former series. These are straight photographs as for the theme of urban life in Isfahan, while simultaneously referencing the representation of technical image. The central idea of this series posits that if there is a precise definition of transparent photographic representation, it ought to be singularly distinctive. For this reason, manipulated photos fall outside the category of straight images. Nevertheless, if it is possible to derive several transparent representations of a subject through varying perspective, color, tonality, etc., can such a representation still be envisioned?  (Written by Roozbeh Maleki, Translator: Niki Shadloo)